Misthaven is a female fronted band from Campobasso in Italy. They started out in 2014 and there have been a few personel changes before they got to the point of this self released debut album. The band describe themselves as alternative rock, listing influences such as Evanescence, Alter Bridge and Halestorm.
I quite like Lizzy and her band, I have listened to Evanescence occassionaly, but don’t recall ever listening to Alter Bridge. When I first did a search for the band the term symphonic metal came up as a description for the band which to be honest, together with this list of influences, didn’t fill me a great deal of hope as that is a crowded genre in which it is difficult to standout.
Against these low expectations, I wasn’t surprised when the first few songs didn’t do that much for me. The more gentle approach during the 4th song “Sunwarmth” changed my mind somewhat. The next song “Won’t Look Back” also has a lighter feel to it, but it isn’t until the straight forward rock of “Melted Past” that it feels the band have started to hit their stride. When we reach “In Time” the vocals are starting to grow on me and it reminds me of Judie Tzuke to conjure up a name from the dim and distant past.
Then the slow piano of “On Springs and Hopes” really showcases the vocals which have just enough edge to show emotion. If you listen on Spotify and let it continue beyond the end of the album, Kate Bush will feasture at some stage and this song does remind me of her. This slower vibe is continued with the acoustic guitar led “Watch Over You” which keeps things simple and builds nicely.
“Here Comes War” combines that light and shade of the preceding track with a mixture of soft and heavy styles which perhaps hints at the direction the band hope to pursue on future albums.
There is a stange combination going on here, the vocalist excels when the music is minimal. The guitarist sounds like he would prefer to be in a 80s metal outfit. It is almost as if you can hear the band working out their preferred style as the album progresses. Everytime I listen to this is takes me a while to get into it, with the second half containing all the highlights for me and when it ends I’m left with a postive impression.
ELO were at the SSE Arena in Belfast last night. In preparation I’ve been playing some of their music over the last couple of days. I have to say the comeback album released on Frontiers a while back is a bit of a snoozy affair.
The concert was good. Jeff isn’t one for between songs banter with the crowd, restricting himself to saying thanks a few times, even leaving the musical director to introduce the other musicians and singers. As expected most of the music was from their heyday, concentrating of the hits. When I was a Boy from that comeback album made an appearance, as did a Travelling Willburys song. The big finale was Mr Blue Sky, with Roll Over Beethoven being perhaps an odd choice for the encore during which it seemed the band were more into it than the fans.
My fave moment from the show was when they cranked it up for “Do Ya”. The following video is taken from the American leg of the tour.
Not sure why I downloaded this for further investigation. Trash Metal just doesn’t light my candle.
Noturnall – 9
This starts off with the heavy “Hey!” and the following two songs are similarly heavy. Then “Moving On” shows a bit of light at the end of the tunnel mixing heaviness with a bit more melody at least in the chorus. Mysterious has the band in a more power metal mood and this is getting more listenable for me. The albums works for me until the end with possible exception of Shadows which get a little too heavy again. Overall the mix of styles made me wonder at times if I had started playing another CD by another band. Yes Mood Swings was created with the idea of liking a variety of styles, but the mix on this album isn’t quite working for me.
Riddlemaster – Bring the Magik Down
Like Nimrod B.C. I’m left wondering just that I heard here that might interest me. If you can remember back to the time when a few NWOWBHM that were influenced by Black Sabbath emerged. That is what I’m reminded of. If you are intro retro trad metal then might be worth a listen.
Secret Rule – The Key to the World
Another female fronted rock band. I’m not sure I can say anymore. Yes, if it comes onto the car stereo I’ll listen for a few songs, but probably not more than that. With the explosion of such bands it is a tough genre in which to stand out from the crowd. Whilst Nightwish usually keep my attention, I seldom make it through an entire Epica album, so Secret Rule had their work cut out in making a big impression on me.
Security Project – Contact
I’m at a bit of a disadvantage when it comes to reviewing this album in that I’m not that familiar with Peter Gabriel’s career. Only Games Without Frontiers and Lay Your Hands On Me sound familiar. Oh, and there is a Kate Bush song in the mix as well. I have to say I wasn’t aware that Gabriel and Bush’s careers were in anyway intertwined. I’m guessing the target audience for this will be intimately aware of Gabriel’s output and collaborations. And that target audience may well be interested in the band’s take on these songs, but for the rest of us it has limited appeal.
The Radio Sun – Unstoppable
I have to say that I had reasonable expectations for this one. I remembered listening to these guys in the past. After a few songs I realised why despite the name being familiar, my memories were a bit a vague. The closest comparison I can have for Radio Sun is Last August’s Dream. When you put one of their albums on, I’m initially impressed, but my attention drifts towards the end of the album.
Vice – Veni Vidi Vice
Vice return after a 30 year absence. Right from the opening track it is clear we’ve got a Poison meets Motley Crue sleaze/glam/party rock thing going on here. Overall it is a decent album, with the first half of the album making the best impression. A cover of Steve Miller’s The Joker and a metal meets rap track called Turn It Up may have been seemed like good ideas but the Steve Miller cover doesn’t better the original and the Beastie Boys have already done the rap thing.
Wildness – Wildness
Reading the earlier elements of this post you might think I’m determined to have a downer on everything I post about today. Well, Wildness reverse the trend. This debut is a real gem that brings a smile to my face when it comes the car stereo. Up-tempo melodic rock meets AOR with a good combination of keyboards and guitars. If you like catchy tracks and are into bands like White Widdow, HEAT and Eclipse etc, then check out these guys.
Well that clears out my 2017 review inbox, with future posts concentrating on 2018 and newer releases.
So last year, around October I picked out a few albums for review. Only the Black Paisley review made it online. To close out 2017 properly, here is a series of mini-review of the other albums.
Carubine – Futuredream
I listened to a couple of tracks from this album and decided that it reminded me a bit of Extreme’s Waiting for the Punchline. That was an album which wasn’t too popular with Extreme fans, but which grew on me. The band, who hail from Stockholm Sweden, describe their sound as a mixture of Soundgarden, Nirvana, Pink Floyd, Queens of the Stone Age and Foo Fighters. Reading that list of bands, it is clear to me now that the focus of the music is the grunge/alternative movements from the 90s, with perhaps some older progressive music from the 70s making the odd appearance. Hence, no surprise that rather than growing on me like Waiting for the Punchline, this one proved too grungy for my tastes.
Code Red – Incendiary
This album is a culmination Daniel Flores (The Murder Of My Sweet) persuading lead singer Ulrick Loonqvist, who started in Sahara in 2001, to put together a project showcasing his songs. The band features co-writers Morgan Jensen (Swedish Erotica) and Michael Palace (Palace, Big Time), along with lead guitarist Oscar Bromvall (Palace, Erika) and keyboard player Kaspar Dahlqvist (Shadowquest, Dionysus) to complete the line-up.
The album has a 80’s AOR feel, with bands with Foreigner, Journey, Night Ranger etc coming to mind. The first time I listened I was really taken as I love this style of music. However, during repeated listens the album hasn’t quite ingrained itself into my brain quite as much as expected. Possibly because the songs are a little one paced and, whilst they are all decent, they fade into one, making it difficult to think back and pick out standout tracks. Having said that, I’m always pleased when it makes its way to back to the front of my playlist on the journey to or from work.
Dante Fox – Six String Revolver
I have to admit that Dante Fox had faded from my memory, despite discovering them on Facebook and following them in the not that distant past. Eden’s Curse re-recorded one of the earlier albums with their new singer and I can’t remember if I made a comment on the blog about about it or not, but I do remember wondering what the point of the exercise was. Here Dante Fox re-examine songs from two of their early albums – “Under Suspicion” and “The Fire Within”. And this time I’m going to say I approve of the reworking. As I already own “Under Suspicion”, but haven’t listened to it for many years, I’ve got say that it is great hearing the songs again. They were good when that album was first released and they stand the test of time well and the new recordings sound good, albeit I haven’t gone a back to back comparison with the originals to determine if the new versions were really worth it.
Suffice to say that I’m enjoying listening this album and it is good to know that the band are still going strong. A pleasant reminder of a time when female fronted rock wasn’t a multitude of bands playing formularised symphonic rock with operatic vocals layered on top.
Empire – Chasing Shadows
This is a reissue of material by a band formed by Rolf Munkes in the early 2000s. In fact, this is the last album that the band released and saw Tony Martin being replaced by ex-Rainbow singer Doogie White.
Whilst I’m sure that I have a couple of albums featuring Doogie on vocals, it was only when listening to this that I realised that he sounds remarkably like a certain Ronnie James Dio. The album sounds like RJD era Rainbow and in part Black Sabbath. The overall impression I have of the album is similar to that of another RJD influenced singer – Jorn. Yes, I like the overall sound, yes, there are few tracks that are worthy of note, but after listening to this, I’m more likely to put on Rainbow, Black Sabbath or Dio, rather than give this another spin. Decent album, but its a tough gig trying to follow in the footsteps of a master.
Enzo And The Glory Ensemble – In the Name of the Son
I always like to give music inspired by the man above a fair shot and I really wanted to be able to give this a positive review. However, these guys have taken the rock opera theme too literally, yielding an album which is a difficult listen to. The combination of opera, discordant middle eastern music and metal guitar just doesn’t work for me and I end up skipping virtually all the tracks on the album.
Freaky Jelly – Reverse
Freaky Jelly sounds like the name of a song from a Liquid Tension Experiment album. Not sure if it is but I do know that it sounds as if these guys are heavily influenced by Dream Theater. In the Progressive Metal genre DT are hard to escape. I found this to be a decent album, but like many progressive metal albums, just a little to derivative to stand out. Hopefully next time out they can work on creating a more unique sound.
Into The Unknown – Out of the Shadows
Opening with a cover of Don’t Pay The Ferryman is an unusual move for a debut album, where I would have thought the idea would have been to establish your own identity. Elsewhere there is a cover of the Miley Cyrus hit Wrecking Ball. On the original tracks this female fronted band sound failed to grab my attention, which could have been as much to do with the somewhat tinny production as anything else.
Jessica Wolfe – Grounded
During my first listen to this I began to wonder how this had ended up in my review inbox. Given that I have a couple of Roxette albums tucked away in my record collection, perhaps it is not surprising. Jessica plays rock driven pop in much the same vein as Roxette and those catchy choruses will grab your attention during those initial listens. Further listens may have you wanting a little more variety and depth, but this one will play all the way through to end without me hitting the skip button.
Licence – Licence 2 Rock
This band rock out like we are back in the eighties with NWOBHM meets glam, playing mostly high energy material. Listening to this will have you feeling nostalgic, but the danger for this lot is that maybe next time you want to listen to this type of music you’ll dig out your old Praying Mantis and Tygers of Pan Tang albums instead.
Midnight City – Midnight City
Right from this off this album, featuring a band centred around current Tygertailz frontman Rob Wylde, made me sit up and listen. Add into mix that the songs were mastered by Harry Hess of Harem Scarem and produced by Mike Newdeck of Eden’s Curse and we have the potential for a good album. And that potential is realized on this throwback album which celebrates feel good eighties hair metal and party rock. Yip, fans of Danger Danger’s debut need to catch a listen to this.
OK, I’ve still got a few more albums to work my way through, and it is already March, so I’m going to post this as part one.
So the benefit of bad weather here in Northern Ireland is that I get to catch up on music that I wouldn’t normally get the chance to listen to.
First up is Black Paisley who I have the admit based in their name alone I might have skipped over, assuming the music on offer was of a heavier variety. The press release lets me know that the band are actually named after Ritchie Sambora’s Fender signature guitars. The band morphed out of a covers band called ‘StephMetal’ and started recording back in 2014.
That reference to Ritchie Sambora gives a clue to the style of the music on display. Opening song “Run Run Run” has a hint of Little Caesar about it. “Way To Something” slows matters down a tad and has a real mellow smooth effortless vibe to it that reminds me of Bob Seger. These Swedes really sound like they hail from The States.
The album is a good mix of ballads, mid-tempo and faster paced tracks with a radio friendly feel with ballad “Coming Home” finishing it off in fine form. From the press release it looks like at least some versions of the album have couple of bonus tracks “Alone” and “Step Back”.